Portions of the book originally appeared in “The Postwar Documentary Trace: Groping in the Dark,” in Open to the Public: Studies in Japan’s Recent Past, ed.
The University of Minnesota Press gratefully acknowledges a grant from the University of Michigan that contributed to the publication of this book. University of Minnesota Press Minneapolis London
Ogawa Shinsuke and Postwar Japanese Documentary Abé Mark Nornes Gaines and Michael Renov, Editors Collecting Visible Evidence Volume 5 :: Diane Waldman and Janet Walker, Editors Feminism and Documentary Volume 4 :: Michelle Citron Home Movies and Other Necessary Fictions Volume 3 :: Andrea Liss Trespassing through Shadows: Memory, Photography, and the Holocaust Volume 2 :: Toby Miller Technologies of Truth: Cultural Citizenship and the Popular Media Volume 1 :: Chris Holmlund and Cynthia Fuchs, Editors Between the Sheets, In the Streets: Queer, Lesbian, Gay Documentary Zimmermann States of Emergency: Documentaries, Wars, Democracies Volume 6 :: Jane M. Singer Wiping the War Paint off the Lens: Native American Film and Video Volume 9 :: Alexandra Juhasz, Editor Women of Vision: Histories in Feminist Film and Video Volume 8 :: Douglas Kellner and Dan Streible, Editors Emile de Antonio: A Reader Volume 7 :: Patricia R. Moran There’s No Place Like Home Video Volume 11 :: Jeffrey Ruoff An American Family: A Televised Life Volume 10 :: Beverly R. Edited by Michael Renov, Faye Ginsburg, and Jane Gaines Volume 18 :: Abé Mark Nornes Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary Volume 17 :: Alexandra Juhasz and Jesse Lerner, Editors F Is for Phony: Fake Documentaries and Truth’s Undoing Volume 16 :: Michael Renov The Subject of Documentary Volume 15 :: Abé Mark Nornes Japanese Documentary Film: The Meiji Era through Hiroshima Volume 14 :: John Mraz Nacho López, Mexican Photographer Volume 13 :: Jean Rouch Ciné-Ethnography Volume 12 :: James M.